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Anthony Baines Photography

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1. Port Meadow, autumn. An egret hunts in the shallows of the Thames, with fallen leaves washed up on the foreshore.

Thames project: Oxford — Port Meadow to Iffley

June 12, 2026 in Thames Project

Oxford is probably the most famous city on the River Thames outside of London. In the public imagination, it is associated with its University, the dreaming spires and the glamour of the old sandstone colleges, unworldly undergraduates in the mould of Sebastian Flyte, Christ Church Cathedral, the Ashmolean Museum and Bodleian Library. It is not by accident that in the movie representation of Hogwarts, the dining hall resembled some of the dining halls in the colleges. Perhaps more recently, Oxford has become associated with a series of prime ministers and other British politicians distinguished both as brilliant PPE graduates and disastrous political failures. (Having said that, disastrous political failures from other graduate routes are readily available.)

One of the other famous aspects of Oxford is its rowing crew, which takes part in the annual University Boat Race. Which brings us to the River Thames through Oxford.

Outline map to show the locations of the pictures in this entry: these are marked as numbered orange circles. The Thames and its associated watercourses are shown in blue. The railway line is in orange. The stretch of the Thames between Godstow and Iffley is roughly 8 km. Map data from Ordnance Survey Open Data, (reproduced under the Open Government Licence 2026), and Open Street Map (Copyright Open Street Map Contributors, 2026). Map drawn in QGIS.

The Thames enters Oxford from the north, flowing past the rural village of Godstow and the fields of Port Meadow before entering the built-up parts of the city. At this point, I'm going to bring in two quotes from books about the Thames that sum up the entry of the Thames to Oxford perfectly.

"From Godstow, the river becomes a place of recreation, breezy and jaunty with the skiffs and the punts, the sports in Port Meadow and the picnic parties on the banks by Binsey. But then, by some change of light, it becomes dark green, surrounded by vegetation like a jungle river; and then the traveller begins to see the dwellings of Oxford, and the river changes again. Oxford is a pivotal point. From there you can look upward and consider the quiet source; or you can look downstream and contemplate the coming immensity of London." Peter Ackroyd, Thames: Sacred River.

"Port Meadow is one of the oldest pieces of common ground in the country, shared by the freemen of Oxford and the commoners of Wolvercote. It is a wild, open space that floods regularly, acting as a meeting place for man and nature where people feel a rare sense of freedom. While cattle graze and horses gallop, men row, swim, and walk in what some call the last truly civilized spot in England." Michael Black in The Thames: A Picture Book by Theo Bergstrom and Michael Black.

2. Autumn colours and fishing on the Thames, opposite Port Meadow

3. “…picnic parties on the banks by Binsey”. From Binsey across the Thames to Port Meadow in May: picnic, wild swimming and horses in the distance.

At the southern end of Port Meadow, opposite Fiddlers Island, the Thames splits. A side stream, Castle Mill Stream, loops round and rejoins the main Thames further down, at a point where the railway crosses just before trains enter Oxford railway station. As Ackroyd says, the light changes somehow on leaving Port Meadow: walking along Castle Mill stream feels a bit like being in a "jungle", that is, until new student residence developments (the Castle Mill blocks) come into view behind older allotments.

4. “… by some change of light, it becomes dark green, surrounded by vegetation like a jungle river”. Cormorant, Castle Mill Stream.

5. Allotments and new residential blocks by Castle Mill Stream.

Following the Thames towards the city centre, it quickly becomes built-up. The terraced and semi-detached houses have the appearance (to my untrained eye) of houses built for the railway workers who would have followed in the wake of the arrival of the GWR in Oxford in the mid-1800s (1843-1851). The houses are built right up to the edge of the Thames and Castle Mill Stream. It is easy to imagine that in Victorian times, this area was prone to flooding and would have brought a damp chill to those living there.

6. A GWR train approaches Oxford Railway Station, crossing Castle Mill Stream.

7. Terraced houses come right up to the water’s edge.

Another symbol of Victorian engineering is the former Osney power station, opened in 1892 and the city's first power plant. It has been redeveloped as part of the University's business school, retaining the facade of the power station, with its beautiful detailing in the brick elevations, while adding on modern, functional and apparently value-engineered extensions behind. I think this is what the Gentle Author calls "ghastly facadism".

8. Terraced houses on East Street.

9. The redeveloped remains of Osney Power Station.

By this point, the river feels squeezed and confined between the buildings of the city, in marked contrast to the free-flowing, wide river at Port Meadow. It does not regain its freedom until much further downstream.

Folly Bridge in the centre of the town marks the northern end of the competitive rowing stretch of the river. Downstream is the racing course and the boathouses that crews embark from. The river feels freer here; wider, twisting and turning without constraint.

10. Folly Bridge glowing in the light of the setting sun.

11. Evening light in early spring, looking across Christchurch Meadow.

12. Launching a double scull from University College Boathouse, with other boathouses on the oppsite bank lit up by the setting sun.

13. An eight powers towards the boathouses as the sun rises in March.

14. Rowing is not the only sport. Canoeist at dawn, March.

The start of the rowing course is at Iffley, where there is a lock, one of the oldest on the Thames.

In Victorian times, the photographer Victor Albert Prout took a boat from Westminster upstream to Oxford, photographing with a panoramic camera along the way. In 1862, he took a picture of Iffly Mill while standing on the west bank of the river. The mill is now long gone. From his viewpoint across the river, there was a view up to St Mary the Virgin Church on the right-hand side of his panorama (now hidden behind trees and invisible from the riverbank) and to the (then) lock and weir. The lock was rebuilt in 1927 and today looks very different from the one Prout photographed.

15. Upstream of Iffley Lock in March. The church tower of St Mary the Virgin can be seen slightly elevated over the river.

16. Iffley Lock at sunset, in early summer.

17. Yellow flag irises growing wild on the bank of the Thames downstream of Iffly Lock, not far from where Prout stood to photograph Iffly Mill.

As elsewhere on the Thames, standing on its bank, or being transported by boat, is to be brought into the continuing stream of history. There’s an unchanging timelessness of an egret hunting on the edge of the river, the link through Brunel and the Victorian development of industrial England through the GWR, to present-day value-engineering of the student economy. I’ve no idea if Port Meadow is the last civilised place in England (are there really no others?), but, in any case, it seems more valuable than ever.

Tags: Oxford, Iffley, Prot Meadow, Binsey, Castle Mill Stream
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Recent posts

  • 2026
    • Jun 12, 2026 Thames project: Oxford — Port Meadow to Iffley Jun 12, 2026
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    • May 9, 2026 The Thames project May 9, 2026
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    • Feb 14, 2020 The Nikon Z6 and street photography Feb 14, 2020
    • Jan 21, 2020 Bearded reedlings: a brief encounter Jan 21, 2020
    • Jan 1, 2020 A dozen favourites from 2019 Jan 1, 2020
  • 2019
    • Dec 28, 2019 A day in London with the Nikon Z6 Dec 28, 2019
    • Nov 26, 2019 Postcards from Harris: 7, white-tailed eagle Nov 26, 2019
    • Nov 16, 2019 Postcards from Harris: 6, shapes on the horizon Nov 16, 2019
    • Nov 12, 2019 Postcard from Harris: 5, Impressions Nov 12, 2019
    • Nov 11, 2019 Postcards from Harris: 4, Luskentyre beach Nov 11, 2019
    • Nov 10, 2019 Postcards from Harris: 3, sheep Nov 10, 2019
    • Nov 8, 2019 Postcards from Harris: 2, Downpour Nov 8, 2019
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    • Oct 4, 2019 Seasalter minimalism Oct 4, 2019
    • Sep 20, 2019 Oystercatchers and the Windfarm Sep 20, 2019
    • Sep 20, 2019 Some thoughts on the Nikon 500mm f/5.6 PF lens Sep 20, 2019
    • Aug 28, 2019 RIAT 2019 Aug 28, 2019
    • Aug 8, 2019 Two days on Skomer Island Aug 8, 2019
    • Jul 9, 2019 A year with the Panasonic Lumix GX9 – A full frame user's first encounter with micro-4/3 Jul 9, 2019
    • Jun 27, 2019 Some recent awards Jun 27, 2019
    • Apr 28, 2019 Extinction Rebellion in London Apr 28, 2019
    • Apr 19, 2019 Sculptural nude (and shooting a blank) Apr 19, 2019
    • Apr 5, 2019 Brexit demonstrators at Parliament Apr 5, 2019
    • Mar 11, 2019 Three ways of listening, 2019 Mar 11, 2019
    • Jan 29, 2019 Oh dear ... Patisserie Valerie Jan 29, 2019
    • Jan 24, 2019 Super Blood Wolf Moon, 21 Jan 2019 Jan 24, 2019
  • 2018
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    • Sep 25, 2018 Airshow photography Sep 25, 2018
    • Aug 26, 2018 On reading: London, August 2018 Aug 26, 2018
    • Aug 4, 2018 One picture, two interpretations Aug 4, 2018
    • Aug 4, 2018 Workshop with Tim Pile and Lulu Lockhart Aug 4, 2018
    • Aug 2, 2018 The human scale redux: from the archive Aug 2, 2018
    • Jun 17, 2018 Dancing in the rain Jun 17, 2018
    • May 13, 2018 Postcards from New York and San Francisco. 4: On reading May 13, 2018
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    • Apr 27, 2018 Postcards from New York and San Francisco. 1: Physically Graffitied Apr 27, 2018
    • Apr 2, 2018 Millenial with a mobile Apr 2, 2018
    • Mar 18, 2018 Night shoot without a tripod: not the recommended procedure, but it can be done Mar 18, 2018
    • Mar 2, 2018 Evening light on Harty Ferry Slipway Mar 2, 2018
    • Jan 2, 2018 Blog note, cataract edition 2: Seeing 2018 through new eyes! Jan 2, 2018
  • 2017
    • Dec 23, 2017 Twitter and the Christmas Turkey Dec 23, 2017
    • Dec 15, 2017 Blog note: cataract edition Dec 15, 2017
    • Sep 20, 2017 Three faces from the Military Odyssey Sep 20, 2017
    • Aug 31, 2017 Saying farewell to my first long zoom lens: the Nikon 80-400mm AF-D VR Aug 31, 2017
    • Aug 31, 2017 Fairford RIAT 2017: part three, a small miscellany Aug 31, 2017
    • Aug 1, 2017 Fairford RIAT 2017: part two, Thunderbirds Aug 1, 2017
    • Jul 17, 2017 Fairford RIAT 2017: part one, the U-2 Jul 17, 2017
    • Jun 28, 2017 Converting pictures to black-and-white in the (nearly) post-Silver Efex era Jun 28, 2017
    • Jun 2, 2017 Congratulations! Jun 2, 2017
    • May 6, 2017 Chasing Lightnings, Raptors and a Rivet Joint May 6, 2017
    • Apr 19, 2017 Bude sea bathing pool in different moods Apr 19, 2017
    • Mar 28, 2017 Northolt nightshoot - not to be Mar 28, 2017
    • Mar 19, 2017 Chuck Berry 1926-2017 Mar 19, 2017
    • Feb 18, 2017 Multiple exposure shooting – trying the Olympus live composite mode Feb 18, 2017
    • Jan 26, 2017 Lapwing silhouetted in the light of dawn Jan 26, 2017
  • 2016
    • Dec 31, 2016 Aviation favourites from 2016 Dec 31, 2016
    • Dec 13, 2016 December sea front, Broadstairs Dec 13, 2016
    • Nov 22, 2016 Walking in London, Nov 2016 Nov 22, 2016
    • Oct 31, 2016 Comic Con London 2016 Oct 31, 2016
    • Oct 20, 2016 Standing out from the background: bokeh panoramas with aircraft Oct 20, 2016
    • Oct 11, 2016 Cycling in Orange: Amsterdam Oct 11, 2016
    • Aug 6, 2016 South Manhattan seen from Brooklyn at sunset Aug 6, 2016
    • Jul 31, 2016 Early morning Manhattan Eastside Jul 31, 2016
    • Jun 28, 2016 RCN Care on Camera Gold Award Jun 28, 2016
    • Jun 12, 2016 RCN Care On Camera exhibition Jun 12, 2016
    • Jun 6, 2016 Postcard from Berlin Jun 6, 2016
    • Jun 5, 2016 Late remains of summer Jun 5, 2016
    • Jun 5, 2016 The Seven Dials Rapscallions at the Rochester Dickens Festival, December 2015 Jun 5, 2016
    • Jun 5, 2016 The Drowned Pool Jun 5, 2016
    • Jun 5, 2016 ComicCon London October 2015: characters and experiments in flash Jun 5, 2016
    • Jun 5, 2016 Welcome! Jun 5, 2016

Featured Posts

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January 2, 2018
Blog note, cataract edition 2: Seeing 2018 through new eyes!
January 2, 2018
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Bude sea bathing pool in different moods
April 19, 2017
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February 18, 2017
Multiple exposure shooting – trying the Olympus live composite mode
February 18, 2017
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June 12, 2016
RCN Care On Camera exhibition
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Late remains of summer
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