Anthony Baines Photography

View Original

Crossness Pumping Station: seduced by symmetry

Last week, I was lucky enough to visit the Crossness Pumping Station in South-East London. It is variously known as the "Cathedral in the Marshes" or, more bluntly, the "Cathedral of Sewage". It is a former Victorian sewage pumping station, opened in 1865; it continued to operate to the benefit of Londoners into the 1950s. It is a wonder of steam-age engineering and Victorian design and architecture. It is currently under restoration, and a team of volunteers maintains the site, as well as guiding and informing visitors.

In the wake of the industrial revolution and the growth of trade with the world, London's population boomed in the first half of the nineteenth century. Devastatingly, there was no proportionate provision for human sanitation. This culminated in the great stink of 1858, which came after various outbreaks of cholera. The stink prompted such an outcry that the Metropolitan Board of Works commissioned the great civil engineer Sir Joseph Bazalgette to develop a system to move human waste eastwards along a system of pipes for eventual disposal into the River Thames. His achievements were so important that more than 100 years later, I remember hearing his name in history lessons when I was much younger (the topic of the great stink and human sewage has great stickability in the mind of an 11- or 12- year old!) 

Bazalgette's system required that the sewage could be stored before disposal. Huge pumps raised raw sewage into a vast elevated reservoir; from there, it could be discharged into the Thames. In the original design, raw sewage was released on a falling tide to take the effluent away from London and into the Thames estuary, although later improvements resulted in better treatment before disposal. I've never seen an account of what the residents further downriver thought of this - the experience in, say, Gravesend can't have been pleasant. Incidentally, the prevailing wind across London is from west to east: moving the sewage from the richer areas of London eastwards was also of olfactory benefit to those who commissioned it.

The architect tasked with designing the great pumping station was Charles Henry Driver, famous for his use of intricate wrought-iron metalwork: his imprint is visible all over the pumping station. He seems to me to have been fastidious about symmetry and echoing shapes - and it was this that I felt drawn to photograph. 

Crossness represents the southern outfall of Victorian London’s sewage system. Driver was also the architect of the northern outfall pumping station, Abbey Mills by the River Lea, near Bromley-by-Bow. Even if the West End of London benefited, the East End must still have stunk.

The Crossness Engines Trust website has links if you wish to visit. There is an excellent article about it in Wikipedia that covers the history in great detail, so I won't rehearse that here, but just let the pictures below do the talking. (And yes - it was another grey day…)

The exterior of the pump house. The engines are housed in the taller building on the left. The buildings still carry the grime accumulated from the London smoke of its first 90 years or so.

Wild flowers now grow in the grounds outside the pump house

The entrance to what is now the visitor centre. I love the repeats and echoes in threes and the symmetry.

Detail of one of the arches of the visitor centre from the inside. I was told that the main brickwork is white Suffolk bricks. The bricks that form the arches are red rubbers, probably formed from Kent brick earth.

The effigy of Bazalgette atop one of the pillars on the outside of the pump house

The grounds are maintained by a team of very friendly volunteers

The vestibule of the pump building, looking through to one of the flywheels

Two of the flywheels at the edge of the pump hall

Prince Consort, one of the four great steam engines

One of the great beams of the beam engines

The pivot of one of the beams

One of the great beams, end on, and showing the levels below.

Looking down from the top level

Ornate staircases connect three levels in the pump house

The MBW logo of the Metropolitan Board of Works. Now that is how to do a logo!

Looking upwards from ground level to the upper floors

The upper levels have a wrought iron flooring with this wonderful network pattern that echoes the arches of the windows

Wrought ironwork on the pillars as well as on the main elements of the structures

And finally … A display of Thomas Crapper’s great syphonic invention!

Grateful thanks to Sony UK for the loan of an Alpha-1 camera and a plethora of lenses for the day.